Last year I was contacted by the publisher of Digital Contagions, which was my first book in English: the commissioning editor proposed to edit a new, upgraded version of the book. Yesterday, the final product arrived and I am happy to tell that with a new cover, with some new text and in general edited, pruned and much more smoothly flowing, it is out – again! And I very excited that it has Sean Cubitt’s new preface too.
The new cover is from Eva and Franco Mattes’ installation Perpetual Self Dis/Infecting Machine (2001-04): a Custom made computer infected with the virus Biennale.py.
Here’s the back cover with a summary and some nice endorsements from Tiziana Terranova, Charlie Gere, Alex Galloway and Sean Cubitt!
You can find the book on Peter Lang website and on Amazon and hopefully other online bookshops. Please contact me if you require a review copy.
And as a blast from the past, here’s an interview Matthew Fuller did with me around the publication of the first edition.
Another (what I am sure is going to be a) great event organized by the Center for 21st Century Studies at University of Wisconsin in Milwaukee: The Dark Side of the Digital.
Think of it less as the Dark Side à la Star Wars, but instead rephrase Pink Floyd’s Dark Side of the Moon, the very last words of the album, after the final pulsations.. “There is no dark side really. Matter of fact, it’s all dark.”
More viral analysis is out: a special issue of WSQ just came out, a special issue on Viral – edited by Patricia Clough & Jasbir Puar. It is an extensive one, so do try to grab a copy somewhere. It also includes a review of Insect Media. The book is reviewed alongside Jodi Dean’s Blog theory and Steven Shaviro’s Cinematic Affect. Great to be featured alongside such writers.
Besides that special issue, another one to keep your eyes open for: Tony Sampson’s monograph Virality is now out! An excellent analysis which indeed “resuscitates Tarde” and analyses cultures of virality from memes to terror and love. I also really enjoy the manner in which Sampson employs notions of hypnosis into an analysis of network culture. it reminds of the idea of “evil media” that Fuller and Goffey have the past years developed (check out The Spam Book for a short intro to what Evil Media Studies is.)
It’s the opposite to “do no evil”, a call to think through the dirty materiality of media. Trick, deceive, bypass, exploit, short-circuit, and stay inattentive.
Hence, it is not only about “evil objects” as I perhaps myself have focused on (in Digital Contagions, and in other places), even if such objects can be vectors for and emblematic of stratagems of evil media. Evil media studies focuses on strategies that are mobilized as practices of theories. These strategies reach across institutions, and hence it is no wonder that Geert Lovink recently flags this as one approach through which to energize media studies.
Or more formally – Evil Media Studies “is a manner of working with a set of informal practices and bodies of knowledge, characterized as stratagems, which pervade contemporary networked media and which straddle the distinction between the work of theory and of practice”, write Andrew Goffey and Matthew Fuller in the chapter by the same name in The Spam Book.
For me, the attraction in Goffey and Fuller’s call is that it is material – material that is dynamic, non-representational, machinating and filled with energies that flow across software, social and aesthetic.
- Bypass Representation
- Exploit Anachronisms
- Stimulate Malignancy
- Machine the Commonplace
- Make the Accidental the Essential
- Recurse Stratagems
- The Rapture of Capture
- Sophisticating Machinery
- What is Good for Natural Language is Good for Formal Language
- Know your Data
- Liberate Determinism
- Inattention Economy
- Brains Beyond Language
- Keep Your Stratagem Secret As Long as Possible
- Take Care of the Symbols, The Sense Will Follow
- The Creativity of Matter
(the list from “Evil Media Studies” by Goffey and Fuller, in The Spam Book: On Porn, Viruses and Other Anomalous Objects From the Dark Side of Digital Culture, eds. Parikka & Sampson, Hampton Press 2009).