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In Search of Media: Remain

April 26, 2019 Leave a comment

I am excited to announce that our co-authored booklet Remain is now out and available via University of Minnesota Press and Meson Press (Open Access PDF). Together with Rebecca Schneider, and Ioana Jucan who wrote the introduction, we were offered the term “remain” to respond to as part of the series of investigations as to “terms of media” in contemporary context. From the book’s description and with two blurbs from Joanna Zylinska and Steven Shaviro:

In a world undergoing constant media-driven change, the infrastructures, materialities, and temporalities of remains have become urgent. This book engages with the remains and remainders of media cultures through the lens both of theater and performance studies and of media archaeology. By taking “remain” as a verb, noun, state, and process of becoming, the authors explore the epistemological, social, and political implications.

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“What emerges in this short book is a theory of media as that which remains. Mediating deep time with temporarily fossilized moments in our cultural history, the book’s multivoice narrative raises important questions about human responsibility for matter and other matters.”

— Joanna Zylinska, Goldsmiths, University of London

“This book spells out the ways in which past media and past practices continue to haunt and inflect our present social and technical arrangements.”

— Steven Shaviro, Wayne State University

 

For paperback, see University of Minnesota Press page.

For Open Access, see Meson Press page.

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Media Archaeology in Chinese

April 10, 2019 Leave a comment

Our co-edited volume, Media Archaeology: Approaches, Applications, and Implications has been translated into Chinese. The translation (媒介考古学:方法、路径与意涵 ) is published by Fudan University Press (earlier translations by the press has included e.g. Friedrich Kittler’s Gramophone, Film, Typewriter). Furthermore, the book will be launched in late April with a seminar on “Chinese communication research from the perspective of media archaeology” in Wuhan.

Kirjamme Kiinaksi.jpg

MediArXiv open archive launches

We are thrilled to announce that MediArXiv—the free, nonprofit, scholar-led digital archive for media, film and communication studies—is officially launching this week. MediArXiv is an open platform, hosted by the Center for Open Science, for media, film, and communication scholars to upload working papers, pre-prints, accepted manuscripts (post-prints), and published manuscripts. The service accepts articles, books, and book chapters, and we plan to support multimedia submissions in the future:

https://mediarxiv.org

FAQs are available on our companion site:

https://mediarxiv.com/faqs/

MediArXiv joins the growing movement started by the math/physics/computer science-oriented http://arXiv.org over 25 years ago, as one of the first full-fledged “preprint” servers conceived for humanities and social science scholars. Our aim is to promote open scholarship across media, film, and communication studies around the world. In addition to accepting and moderating submissions, we plan to advocate for policy changes at the major media, film, & communication studies professional societies around the world—to push for open-access friendly policies, in particular, for the journals that these associations sponsor.

Commenting on the launch of MediArxiv, professor Sean Cubitt (Goldsmiths) stated:

“MediArXiv offers an open access platform to share research run by and for researchers.  Its growing community of scholars and papers in media and communications opens international dialogues on scholars’ own terms. Our field is especially critical of the operations of power and money in cultural evolution: here is a practice that turns critique into an new actuality we can all learn from.”

MediArxiv is launching with a 17-member Steering Committee of scholars and open access advocates from around the world. The Committee includes members from five continents, every rank (including graduate students), and along gender and other lines of equity. We support submissions in English, Spanish, Chinese, French, Portugeuse, German, Dutch, Finnish, and Turkish:

https://mediarxiv.com

MediArXiv was initiated by the nonprofit Open Access in Media Studies:

https://oamediastudies.com/

As a free, nonprofit, community-led digital archive, MediArXiv is fully committed to the Fair Open Access principles:

https://www.fairopenaccess.org/

The Center for Open Science (our hosting partner) press release:

https://cos.io/about/news/center-open-science-mediarxiv-and-bodoarxiv-la…

Please consider submitting your manuscripts to MediArXiv, and thank you for your support.

The MediArXiv Steering Committee

* Jeff Pooley, Associate Professor of Media & Communication, Muhlenberg College (USA) [Coordinator]
* Jeroen Sondervan, open access expert & and co-founder of Open Access in Media Studies. Affiliated with Utrecht University (Netherlands) [Coordinator]
* Sarah-Mai Dang, Postdoctoral Researcher at the Institute of Media Studies, Philipps University Marburg (Germany)
* Lai-Tze Fan, Assistant Professor of Rhetoric and Digital Media, University of Waterloo (Canada)
* Catherine Grant, Professor of Digital Media and Screen Studies, Birkbeck, University of London (UK)
* Jonathan Gray, Lecturer in Critical Infrastructure Studies, King’s College London (UK)
* Adelheid Heftberger, Head of Film Access, Bundesarchiv (German Federal Archive) (Germany)
* Leah Lievrouw, Professor of Information Studies, UCLA (USA)
* Nyasha Mboti, Associate Professor of Communication Studies, University of Johannesburg (South Africa)
* Gabriel Menotti, Associate Professor of Communications, Federal University of Espírito Santo (Brazil)
* Ricardo Cedeño Montaña, Associate Professor of Communications, Universidad de Antioquia (Colombia)
* Maria O’Brien, PhD Candidate, School of Communications, Dublin City University (Ireland)
* Kate O’Riordan, Professor of Digital Culture & Head of School of Media, Film and Music, University of Sussex (UK)
* Jussi Parikka, Professor of Technological Culture & Aesthetics, University of Southampton (UK)
* Xiang Ren, Senior Lecturer in Chinese Media and Culture, Western Sydney University (Australia)
* Cheryll Ruth Soriano, Associate Professor of Communication, De La Salle University (Philippines)
* Ece Vitrinel, Assistant Professor of Communication, Galatasaray University (Turkey)

twitter: @mediarxiv
email: mediarxiv@mediarxiv.com
main site: mediarxiv.org
companion site: mediarxiv.com
rss: http://tiny.cc/zwzq4y
github: github.com/orgs/MediArXiv/dashboard

De insectos, máquinas y posverdades

December 1, 2018 Leave a comment

The new issue of the Luthor journal (published by colleagues in Argentine) is out and with a focus on media archaeology. The issue also includes an interview with me (“De insectos, máquinas y posverdades“) for those interested. We discuss media archaeology and transdisciplinarity, materiality, questions of geography as well as some brief points about literature in relation to the field. I also mention some current and emerging projects, from fashion film to operational images.

Edit: now the original English version of the interview (not copyedited) is also available (PDF): download here.

On Paul Virilio

September 26, 2018 Leave a comment

Paul Virilio (1932-2018) passed away recently in September. We wrote a short piece with Ryan Bishop about him – Blitzkrieg Baby.

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Reframing Media: Objects, Sites, Histories in Prague

We are doing this symposium in Prague just before the ICA takes place there the same week. I am in town as a visiting fellow at FAMU for some collaborative work with Tomas Dvorak and others during this visit and some forthcoming ones.

The event is organised in collaboration with the Communication +1 journal.

Reframing Media: Objects, Sites, Histories
May 21, 2018 2PM-530PM
FAMU in Prague
Media studies has opened up new avenues of research across fields, helping to reframe the objects, sites, and histories of scholarly inquiry, providing a way to challenge accepted historical layers of social and technical arrangements. This symposium draws together critical intersections with media, applying postcolonial and feminist theories to contextualize and frame the mediated landscape, both past and present. Drawing from a variety of entangled theories and methodologies, authors engage with a variety of approaches, providing new insights for scholars from an array of backgrounds. This symposium also engages media itself through a media archaeological approach, reframing and interrogating our media so as to shed new understanding to our hyper-mediated world.

Please join us for an engaging symposium.

Reframing Media and Communication
Zachary McDowell, University of Illinois at Chicago

Media Archaeology from Labs to Landscapes
Jussi Parikka, University of Southampton, Winchester School of Art

Hello Machine – Hello Human
Rachel Hanlon, Deakin University, Australia

The Best Sleep of My Life
Laura Forlano, Illinois Institute of Technology

Filmmakers of the World, Unite! Forgotten Internationalism, Czechoslovak Film and the Third World
Tereza Stejskalová, Film and TV School of the Academy of Performing Arts in Prague

Schedule

13:30 Arrive
14:00 Zachary McDowell, Introduction – Reframing Media
14:20 Jussi Parikka, Media Archaeology from Labs to Landscapes
15:00 Short Break
15:15 Rachel Hanlon, Hello Machine – Hello Human
15:40 Laura Forlano, The Best Sleep of My Life
16:05 Tereza Stejskalová, Filmmakers of the World, Unite! Forgotten Internationalism, Czechoslovak Film and the Third World
16:30 Discussion
17:30 Adjourn

Qu’est-ce que l’archéologie des média?

January 22, 2018 3 comments

The French translation of What is Media Archaeology? is now out. Titled Qu’est-ce que l’archéologie des média? it is translated by Christophe Degoutin and also includes a new preface by Emmanuel Guez from the PAMAL (media archaeology lab) in Avignon.

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cover image from Haroon Mirza’s installation.

In his introduction to this book in the context of contemporary media theory, Guez nicely picks up on how my interest is not in building systems nor in ontological definition that nails down media archaeology for good. Instead, the book is a cartography of theoretical and methodological potentials, of paths taken and potentials for development, of necessary cross-fertilization and being aware of the blindspots. Hence this cartography (picking on Deleuze’s writing on Foucault and Rosi Braidotti’s apt ideas) is interested in positions, effects, operations and how media archaeology is exercised – a topic that I have been wanting to engage more recently through the current collaborative work on media (archaeology) labs as places of situated and institutional practice. And in the French context, it surely will resonate with a different set of theoretical heritage, current practices and media discourses than in some other contexts.

Apt timing, the French translation of Friedrich Kittler’s Gramophone, Film and Typewriter is the same month of January 2018 as well.

For more information and to order the book, see the publisher’s website.

For a recent interview in French, see “Zombies, virus et pollution : comment l’archéologie des médias imagine notre futur.”

For an earlier French translation of the conversation between me and Garnet Hertz on media archaeology, see “Archéologie des media et arts médiaux.