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Archive for the ‘Geology (of Media)’ Category

Trois essais sur l’écologie des media – translations in French and Spanish

December 21, 2021 Leave a comment

Two new translations of my work came out from the printers just before the winter holidays. Two collections consisting of three essays of mine are published in French (T&P Publishing, Paris) and Spanish (Mimesis, Chile) with both of the editions complemented by a new preface by Peter Szendy. A brief quote from Szendy’s wonderful text (in the French edition):

Les miettes, les rognures, les déjections qui restent et que ces trois textes cherchent à penser ne sont pas à strictement parler les résidus d’un repas, c’est-à-dire d’une ingestion et d’une digestion organique. Les commensaux qui, dans ces pages, consomment et jettent ou rejettent ne sont pas des vivants humains ou animaux : ni mammifères, oiseaux ou insectes, ni même bactéries ou virus (quoique le virus et l’insecte soient ailleurs l’objet des réflexions de Jussi Parikka, par exemple quand il s’intéresse à la généalogie du modèle de l’essaim en informatique ou à l’idée selon laquelle les contagions virales qui se répandent dans le monde numérique relèveraient d’un métabolisme ). Ici, les commensaux du grand festin dont L’Anthrobscène ramasse et analyse les restes, ce sont les médias eux-mêmes.”

More information on both of the new editions:

Antropobsceno y otros ensayos: Medios, materialidad y ecología (Translators: Ximena Atristain, Julián Etienne, raúl rodríguez freire and Rodrigo Zamorano).

L’anthrobscène et autres violences – translated by Agnès Villette).

Grounding

September 10, 2021 Leave a comment

Our video piece Seed, Image, Ground is on display until October 18 at the Grounding exhibition in St Petersburg, at the Dokuchaev Soil Museum. For us, that institutional and narrative context is perfect, considering the book on Vegetal Images we are writing with Abelardo Gil-Fournier features occasional appearances of Dokuchaev, Vernadsky, and others.

Furthermore, the video is featured currently in an exhibition on air/atmosphere in Shenzen, in this one on soil/grounding in St. Petersburg, and next year in a context that adds another elemental twist to the contextualization of Seed, Image, Ground (that was originally commissioned by Fotomuseum Winterthur for their series “Strike/Situations”.)

Lost Islands

Lost Islands, a performance project by Samir Bhowmik (and co-choreography by Esete Sutinen) is on now at the Helsinki Biennial. Book your place if in Helsinki, but have a look at the trailer video for a glimpse of the themes: anthropocene, infrastructure, architecture, etc.

Lost Islands is a series of expeditions tracing the route of an imaginary subterranean and underwater cable through the island of Vallisaari, with the artist serving as tour guide and narrator. The expeditions venture into the island’s topography, forested pathways, waterways, historical buildings, ruins and bunkers. Along the way, visitors are engaged and immersed in installations, film, theatre, contemporary dance, song, and experimental music. The expeditions will take place as a series of events staged on the island from June to August.”

For more info on the work and credits, see also https://helsinkibiennaali.fi/en/artist/samir-bhowmik/ .

Strelka podcast interview

Posting this earlier (Feb 2020) recorded interview at Strelka institute, Moscow; Geology of Media is a starting point but the discussion ends up in many other areas as well.

“What kind of cultural theory would be adequate for the age of climate disturbances, technological shifts, and large-scale infrastructures? In this episode, Jussi Parikka, a media theorist and author of ‘Geology of Media’, talks about the materiality of media, slow environmental violence, and the way to apply his theory to The Terraforming. Design research program The Terraforming is a three-year (2020–2022) initiative of the Strelka Institute, directed by Benjamin H. Bratton.”

Instrucciones para sortear el apocalipsis – a new interview in Spanish

March 28, 2021 Leave a comment

A new interview with me came out in the Argentinian newspaper Perfil on the occasion of the new translation (publisher: Caja Negra). The article also includes this fabulous visualisation that must be one of the best ones of me ever.

Una geología de los medios

March 14, 2021 Leave a comment

I am happy to learn that the Spanish translation of A Geology of Media is now out and available! Una geología de los medios is published by the Argentinian publishing house Caja Negra. A big thanks to the translator, Maximiliano Gonnet, professor Claudia Kozak for writing a preface to the new edition, and the whole team that made this version possible. The Spanish edition also includes a bit of extra: an interview conducted by Alejandro Limpo, titled “Una teoría vertical de los medios” – a vertical theory of media – where we discuss some of the broader contexts of A Geology of Media as it relates to contemporary themes of materiality, environmental humanities, and more.

CCCB (Barcelona) published a preview of the Spanish translation (as well as Catalan excerpt!) – some of the joint work we did with Garnet Hertz on “zombie media”.

Eight Fragments on Eight Stones – CORES

September 27, 2020 Leave a comment

Rick Silva and Nicolas Sassoon’s new art project CORES is launched online. With Elise Hunchuck, we had the pleasure of writing the text, “Eight Fragments on Eight Stones”, to accompany the digital animations based on rock scans. See below an excerpt and check out the whole piece online!

“Here, on the lithosphere, where the earth meets the sky, there exists a long history of how rocks and stones can be seen as images and can be read as texts. A multitude of worlds has been interpreted through surfaces of stones as they depict worlds. Imaginary or not, they reflect historical events — a vertiginous array of scales, landscapes, and — sometimes — ruined cities. But they also include abstract forms and lines that offer geological points of origin for questions, including those of art and aesthetics. From the poetics of stones to the geological, we are nowadays more likely to count, classify, and catalogue than romanticise: geological surfaces and stratifications are measured and mapped such as in the cartographic codes for lithographic patterns. From sandy and silty dolomite to sandstone and shale, quartzite and granite to igneous rock the surface and subsurface are a slowly-unfolding inscription of different minerals.”

Read and see the rest on CORES website.

A Natural History of Logistics

Here’s the video of my Strelka / #TheTerraforming keynote, “A Natural History of Logistics”. Thanks to Benjamin Bratton for the introduction to the talk (and the invitation to be part of The Terraforming Faculty). The talk stems from the seminar and the studio brief we did with the group in February in Moscow. While I outline some theoretical ideas for this synthetic (fake!) discipline, the researchers’ responses in February through mini-projects presented astonishingly good ways how the idea was taken forward: some historically grounded, some speculative, some somewhere in between, takes on soil, seabed mining, geomagnetism, tidal cycles, weeds, and more. Also thanks to Abelardo Gil-Fournier for his lecture and other work for the seminar.

And watch here the projects from the first day:

and the 2nd day in full:

Media Theory with the Terraformers

April 7, 2020 1 comment

A new interview is out in the Strelka Mag. We conducted this discussion with Yulia Gromova in Moscow during my teaching gig at Strelka’s The Terraforming program in February. The interview also briefly touches on my brief that we executed with the program researchers: we inaugurated a new synthetic discipline called A Natural History of Logistics and related to the body of work in media theory, architecture, urbanism, etc. The idea was to tease out various historical and contemporary – actual and speculative – points of connections between systems often deemed “natural” and “technological” so as to problematise the division into the two, and also to understand the various affordances so-called natural systems have in relation to questions of infrastructure and logistics. This also then facilitated looking at the various material frictions in logistical systems in relation to territories, environmental concerns, political questions, etc. The results presented by the Strelka researchers of the Terraforming cohort 2019-2020  – from architects to designers to artists etc. – were really inspiring and impressive.

The interview in Strelka Mag also speaks of some other work, including on Geology of Media etc.

Geologie médií

March 22, 2020 Leave a comment

The Czech translation of A Geology of Media is now out and available with Karolinum publishing house (Prague) as Geologie médiíAlso the Czech translation of What is Media Archaeology? is forthcoming (probably 2021) as well as a book focusing on my work (planned to be out in 2021).

Screenshot 2020-03-22 at 14.12.44