The Independent wrote a piece on spam, and I was interviewed as well. The main driver for the story is Finn Brunton’s forthcoming book on the same topic (and I can reveal that it is a great study). I also consider it a highpoint of my academic career that I am in the same story with Beyonce. Sort of.
March 20, 2013 – Wednesday at King’s College, London, Strand Campus.
Seminar 4.30-5.30 in room K.311 and the book launch 5.30-7.00 in the the Small Somerset Room.
In 2009 Parikka and Sampson coedited The Spam Book, a collection of articles intended to probe the “dark side” of digital culture. The Spam Book addressed a shift from a digital culture very much defined in terms of the economic potential of digital objects and tools toward a discourse describing a space seemingly contaminated by digital waste products, dirt, unwanted, and illicit objects.
In this seminar and the following book launch, Parikka and Sampson discuss emerging ideas and theoretical approaches to digital culture. Parikka’s media archaeological approach and Sampson’s research on virality provide insights into worlds of affect, anomaly and the alternative genealogy from which our network culture emerges. Parikka’s recent book What is Media Archaeology? pitches media archaeology as a multidisciplinary 21st century humanities field that resonates with a range of recent scholarly debates from digital humanities to software studies and digital forensics. Media archaeological excavations and discussions on such theorists as Friedrich Kittler offer an alternative insight to the current digital culture/economy debates in the UK.
Sampson’s approach to digital culture brings together a Deleuzian ontological worldview with the sociology of Gabriel Tarde. His subsequent theory of network contagion does not, as such, restrict itself to memes and microbial contagions derived from biological analogies or medical metaphors. It instead points toward a theory of assemblages of imitation, viral events, and affective contagions. For Sampson, contagion is not necessarily a positive or negative force of encounter; it is how society comes together and relates. Sampson provides an assemblage theory of digital culture concerned with relationality and encounter, helping us to understand digital contagion as a positively sociological event, building from the molecular outward, long before it becomes biological.
Parikka’s media archaeology and Sampson’s contagion theory both figure the importance of a materialist approach to the imaginary and the nonconscious as central to an understanding of digital culture. Hence, the seminar asks the question: what is the nonconscious of digital culture?
Both books are available at the event along with wine.
The event page on Facebook.
Jussi Parikka: What is Media Archaeology? Polity Press: Cambridge, 2012.
Tony D. Sampson: Virality: Contagion Theory in the Age of Networks. University of Minnesota Press: Minneapolis, 2012.
Jussi Parikka is Reader in Media & Design at Winchester School of Art, and author of Digital Contagions (2007) and Insect Media (2010) as well as (co-) editor several edited collections, including The Spam Book (2009), Media Archaeology (2011) and Medianatures (2011). He blogs at htt://jussiparikka.net.
Tony D. Sampson is a London-based academic and writer currently lecturing at the University of East London. A former musician, he studied computer technology and cultural theory before receiving a PhD in sociology from the University of Essex. His research blog is at http://viralcontagion.wordpress.com/
To find the venue:
London, King’s College, Strand Campus.
4.30-5.30 in K3.11 on the Strand Campus of KCL.
K3.11 (King’s Building, Third Floor, Room 11)
To find K3.11 you take stairs up from the Second Floor King’s Building at the Strand end of King’s Building. You can ask for directions at the Strand Reception.
From 5.30-7.00 the Small Somerset Room
Tony D. Sampson’s new book Virality is a good read: on network culture, Gabriel Tarde, affect, HCI and politics. I interviewed Tony for the Theory, Culture & Society blog and he elaborated some of his thinking behind the book in relation to Evil Media and non-cognitive capitalism.
The TCS blog has also – for a limited time though – the PDF of the forthcoming TCS review of Sampson’s book.
Another (what I am sure is going to be a) great event organized by the Center for 21st Century Studies at University of Wisconsin in Milwaukee: The Dark Side of the Digital.
Think of it less as the Dark Side à la Star Wars, but instead rephrase Pink Floyd’s Dark Side of the Moon, the very last words of the album, after the final pulsations.. “There is no dark side really. Matter of fact, it’s all dark.”
>Finally its coming out: The Spam Book – On Viruses, Porn and Other Anomalous Objects from the Dark Side of Digital Culture, edited by yours truly and Tony D. Sampson (UEL). Its was with the publisher for about 18 months, which testifies to the fact that always when you write cultural/media studies, write a) about history, b) write about metaphysics so that what you claim cannot be said to grow old when the next version of your favourite software/operating system comes out.
Writing about spam and editing this book was fun. It was bizarre to understand the lack of research into this defining feature of digital culture, and only now PhDs and research into spam cultures are emerging. For me, spam is a perfect index, or more accurately a vehicle that we can use to drive into such themes as security, delineation of order and disorder in software cultures, capitalism and the non-signifying production of value, desires of consumerism and the weird automated processes running wild on the underbelly of networks.
From the back cover of the Spam Book:
For those of us increasingly reliant on email networks in our everyday social interactions, spam can be a pain; it can annoy; it can deceive; it can overload. Yet spam can also entertain and perplex us. This book is an aberration into the dark side of network culture. Instead of regurgitating stories of technological progress or over celebrating creative social media on the Internet, it filters contemporary culture through its anomalies. The book features theorists writing on spam, porn, censorship, and viruses. The evil side of media theory is exposed to theoretical interventions and innovative case studies that touch base with new media and Internet studies and the sociology of new network culture, as well as post-presentational cultural theory.
And some blurps…
“Parikka and Sampson present the latest insights from the humanities into software studies. This compendium is for all you digital Freudians. Electronic deviances no longer originate in Californian cyber fringes but are hardwired into planetary normalcy. Bugs breed inside our mobile devices. The virtual mainstream turns out to be rotten. The Spam book is for anyone interested in new media theory.” —Geert Lovink, Dutch/Australian media theorist
“What if all those things we most hate about the Internet—the spam, the viruses, the phishing sites, the flame wars, the latency and lag and interruptions of service, and the glitches that crash our computers—what if all these are not bugs, but features? What if they constitute, in fact, the way the system functions? The Spam Book explores this disquieting possibility.”
—Steven Shaviro, DeRoy Professor of English, Wayne State University
Foreword, Sadie Plant.
On Anomalous Objects of Digital Culture: An Introduction, Jussi Parikka and Tony D. Sampson.
Mutant and Viral: Artificial Evolution and Software Ecology, John Johnston.
How Networks Become Viral: Three
Questions Concerning Universal Contagion, Tony D. Sampson.
Extensive Abstraction in Digital Architecture, Luciana Parisi.
Unpredictable Legacies: Viral Games in the Networked World, Roberta Buiani.
Archives of Software—Malicious Codes and the Aesthesis of Media Accidents, Jussi Parikka.
Contagious Noise: From Digital Glitches to Audio Viruses, Steve Goodman.
Toward an Evil Media Studies, Matthew Fuller and Andrew Goffey.
Irregular Fantasies, Anomalous Uses: Pornography Spam as Boundary Work, Susanna Paasonen.
Make Porn, Not War: How to Wear the Network’s Underpants, Katrien
Can Desire Go On Without a Body?: Pornographic Exchange as Orbital Anomaly, Dougal Phillips.
Robots.txt: The Politics of Search Engine Exclusion, Greg Elmer.
The Internet Treats Censorship as a Malfunction and Routes Around It?: A New Media
Approach to the Study of State Internet Censorship, Richard Rogers.
On Narcolepsy, Alexander R. Galloway and Eugene Thacker.