The Anthrobscene is now out and available as a short e-book in the new University of Minnesota Press series Forerunners. The short book (77 pp) extends on the notion of the deep time of the media (Zielinski) to talk of the geological and electronic waste layers that characterise media technological materiality. It consists of four short sections
1. And the Earth Screamed, Alive
2. An Ecology of Deep Time
3. A Media History of Matter: From Scrap Metal to Zombie Media
4. Conclusion: Cultural Techniques of Material Media
The sections outline the idea of materialities of media in the context of the Anthropocene – the suggested and widely discussed term for the geological period where the human being has had such a significant effect on the planet to merit a new periodization. But the idea is to extend this to emphasise the obscenities of the environmental damage that works across natural, social and media ecology.
The Anthrobscene is a preview or if you prefer, a single, of the forthcoming longer book A Geology of Media (out next Spring).
The book is one of three that kickstarts the new Forerunners series, “a thought-in-process series of breakthrough digital works written between fresh ideas and finished books” and characterized as “gray literature publishing: where intense thinking, change, and speculation happens in scholarship.” The series is edited at the University of Minnesota Press by Danielle Kasprzak.
The Anthrobscene is available in your “local” Amazon (Kindle and the slightly more expensive print on demand paperback) and gradually in other e-book stores too, including now already on Kobo. The Amazon-page has a preview of the content.
Here’s a nice short write-up of the Computing the City-event that took place at the Leuphana University in Germany in July. The various papers addressed several analytical, historical and ethical aspects of ubiquitous computing in the context of smart cities. We will be continuing on similar themes in one of the panels we (Winchester School of Art) curated for the forthcoming transmediale-festival.
The clip here is in Finnish but worthwhile a look. It features the scratch-it poetry table designed by the artist group IC-98 for the Frankfurt book fair. Muistikirjoituksia – Recollected Writings is a site-specific installation where Finnish contemporary poetry can be unfolded in ways that hark back to earlier days. In the short clip, one of the members of IC-98 Patrik Söderlund tells how this is a way to approach digital literature – or perhaps we should call this installation more accurately post-digital in the way Florian Cramer defines the term referring to uses where it dismisses “the idea of digital processing as the sole universal all-purpose form of information processing. Muistikirjoituksia frames materiality and pre-modern site-specific forms of engaging with literature in the public. Söderlund challenges us to think of new literature not only in the short time span of new digital technologies but asks to consider literature in a thousand year horizon.
More on IC-98-group here.
(I am personally excited to see Patrik Söderlund’s name pop up as he was the designer of the cover of my first book, Koneoppi. He also designed the covers of the Eetos-publication series we started in 2004.)
Technological change comes with the parallel pace of commentators identifying the change and with enthusiastic attempts to name the new.
Big data is perhaps the most recent of the revolutionary turns that wants to invent the conditions of its own newness, including writing its own short histories. However, most of modernity can be seen in terms of control and management (of things turned data, a theme that some media scholars such as Bernhard Siegert identify already in the 15th century emergence of double-entry bookkeeping).
Such a media history of management comes out well in such by now “old” classics as James Beniger’s The Control Revolution.
The book, from mid 1980s, also includes a useful list of the enthusiasm for the changes in rhetorics of social and technological change after WWII. The old new and continuous discursive revolutions of social change, technology, information and data merge into an annual cycle of invention of a new turn and concept of change:
Fill in the various revolutions post-1984.
There’s an interview with me in the new issue of Modern Weekly (Shanghai) thanks to Paul Feigelfeld’s apt questions and incisive comments. The chat focuses on insect media, animals and technological culture. We are working on an edited and extended English version too.
During my MECS-fellowship at Leuphana-university in Germany also the DCRL-bunch interviewed me. Here is the video interview where I answer their questions about digital culture.
The “Post-NSA”-world implies the question of the Pre-NSA; Post-Snowden Leaks imply also the Pre-Snowden-Era: investigations into the longer histories and panics about the interception capacities of COMINT-specialists extend further back in time. A sort of a media archaeology of SIGINT: the necessity to see the long term build-up of such organisations, logistics, infrastructures and political conditions where a massive level technological snooping is able to take place (after all, it did not emerge over night but is an aftereffect of World War II in many ways).
Kittler’s No Such Agency-piece is one key writing alongside a lot of texts on signal intelligence. I am currently continuing my own short blog post about Teufelsberg and the ECHELON-network into a longer academic essay, and as part of that, referring to the debate some 15 years ago after some ECHELON-network revelations. Here, a quote, even if only in German but it’s the Pynchonian version of 20th century: the paranoid-technological century (where paranoia becomes more than a state of the psyche; it becomes infrastructurally embedded).
Der Spiegel wrote on 21st of May, 1999 (as a reaction to STOA Interception Capabilities 2000-report): “Eine Vorstellung wie aus der Phantasie eines Paranoikers: Ob wir über Handy oder Festnetz telefonieren, E-Mail schreiben, Dateien übers Internet verschicken – kein Wort sei sicher vor dem Zugriff internationaler Geheimdienste, die systematisch und in großem Maßstab nahezu alle Wege, auch den zivilen elektronischen Datenverkehr, belauschen und für ihre Zwecke auswerten.”