The Environmental Audiotour at the Helsinki Biennial
Helsinki Biennial 2023 is now open and our Aarhus based research group was happy to be involved in the team of curators led by Joasia Krysa.
As part of our work, we also wrote the Environmental Audiotour that can be heard in specific locations in Helsinki and also online. Below a short introduction text to the tour that you can listen to both in English and in Finnish as “Ääniopastus kaupungin luontoon”.
Imagine immersing yourself in data as you discover the intricate architectures of environmental sensing that surround us.
The Environmental Audiotour takes us through different spaces and sites of Helsinki and Vallisaari, their past and future. Real and speculative stories unfold together with elemental forces in the extended urban environment, from water to air and from land to energy. The stories draw our attention to the ecological landscapes as we move through different ’islands’ in the city.
Written by Jussi Parikka, Paolo Patelli, and May Ee Wong, The Environmental Audiotour consists of six audiostories that can be experienced in the South Harbour near the Lyypekinlaituri (1st), in Vallisaari at the ruins of the old Weather Station (2nd), in Hietalahti (3rd), in the Kaisaniemi Botanical Garden (4th and 5th) and in Sörnäinen near the Uniarts Academy of Fine Arts – as well as online.
https://helsinkibiennaali.fi/en/event/critical-environmental-data-the-environmental-audiotour/
References
Samir Bhowmik, “From Nature to Infrastructure: Vallisaari Island in the Helsinki Archipelago.” Environment & Society Portal, Arcadia (Summer 2020), no. 28. https://doi.org/10.5282/rcc/9062.
J.R. Carpenter, This is a Picture of Wind. Longbarrow Press, 2020.
Lorraine Daston, Rules: A Short History of What We Live By. Princeton University Press, 2022.
Gary Genosko,”Four Elements” in: Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury Academic, 2018.
Heikki Nevanlinna, Ilmatieteiden vaiheita ja vaikuttajia Suomessa. Societas Scientiarum Fennica, 2021
Dietmar Offenhuber, “Data by Proxy — Material Traces as Autographic Visualizations” arXiv:1907.05454, 2019.
Yoko Ono, “Painting for the Wind”, 1961.
Anna Lowenhaupt Tsing, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton University Press, 2015.
The project was realised with support from the Helsinki Biennial and the Design and Aesthetics for Environmental Data project (AUFF, Aarhus University, 2022-2024) and the Weather Reports project (AHRC and DFG, 2022-2024).
Machinology 