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Library’s Other Intelligences opens

December 22, 2018 Leave a comment

I am happy to share that our joint project with Shannon Mattern, Library’s Other Intelligences, opens in the new Oodi library in Helsinki in January!

Digital cultures of alternative intelligence, library architectures as a stage for performance and imaginary languages, and memory machines tours that take you through the library as a living organism of infrastructure are some of the themes the works by Jenna Sutela, Samir Bhowmik and Tuomas A. Laitinen address!

The opening takes place on January 11th including a small symposium on January 12th. There is also a press tour on Wednesday 9th of January – please be in touch if you want to attend.

Warm welcome to all! A brief blurb below including a link to the Memory Machines tours.

Memory Machines tours: January 11, 12 &13 at 18:30. Sign up here.

The Library’s Other Intelligences, an art project organized by the MOBIUS Fellowship Program of the Finnish Cultural Institute in New York in collaboration with the Helsinki Public Library, will open at the new Central Library Oodi in January 2019. The project features newly commissioned artworks, original research and a series of events, including an opening celebration on Friday, January 11, and a symposium on Saturday, January 12.

MOBIUS fellows Jussi Parikka (University of Southampton, Winchester School of Art, UK) and Shannon Mattern (The New School, US) have commissioned Finnish artists Samir Bhowmik, Tuomas A. Laitinen, and Jenna Sutela to create works that examine the new intelligences represented in our evolving knowledge institutions. These artworks reveal the alien logics of neural nets, give voice to machinic and speculative languages, and make visible the material infrastructures that allow intelligence to circulate. The exhibition’s featured artists are known for work that engages with AI, biological intelligence, digital culture, and the infrastructures of modern societies.

Visitors to the library will be invited to engage with the works ­– and with the new building – by attending live performances, embarking on expeditions, and reimagining how we will read, listen, and learn in a new techno-cultural future. The opening celebration will take place at Oodi on Friday, January 11, from 7 to 10pm; and the curators and artists will host a symposium about the exhibition on Saturday, January 12, from 2 to 4pm.

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Image: Jenna Sutela: nimiia ïzinibimi, 2019

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On Air, Inhale

December 17, 2018 Leave a comment

I had the pleasure of contributing to Tomas Saraceno’s new show On Air at Palais de Tokyo with a short text for the publication as well as with a talk as part of the seminar on December 14th, which was organized by Filipa Ramos. The show itself moves from spiders and webs to air and balloons, from entanglements of the Anthropocene to the light materials of the Aerocene combining speculative design, investigation of materials and beautiful installation structures.

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My short text for the catalogue was titled “Inhale”:

Inhale and you engage with history, not metaphorically, nor poetically but literally. Inhale the air of a city and you inhale its industrial legacy, its current transport system, its chemistry built at the back of technological progress. There’s more in the air and the sky than meets the eye. On the level of eyes, nostrils and skin, the city and its surroundings, it becomes  a touch. It is inhaled, enters the body as haptic environment. It is the haptic environment in which one sees and encounters the surroundings as a large scale Air-Conditioning Show. It is history carried forward as chemistry. It is technology breathed in as minuscule particles. The air is the environment we have to somehow learn to address as one way to invent a breathable future.

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De insectos, máquinas y posverdades

December 1, 2018 Leave a comment

The new issue of the Luthor journal (published by colleagues in Argentine) is out and with a focus on media archaeology. The issue also includes an interview with me (“De insectos, máquinas y posverdades“) for those interested. We discuss media archaeology and transdisciplinarity, materiality, questions of geography as well as some brief points about literature in relation to the field. I also mention some current and emerging projects, from fashion film to operational images.

Edit: now the original English version of the interview (not copyedited) is also available (PDF): download here.

Sacred Channels

November 1, 2018 Leave a comment

Editing our Recursions book series is fun – both for the sake of getting to work with Anna Tuschling and Geoffrey Winthrop-Young and because we are able to help in getting great books in media theory into the world.

The most recent one is the just published translation of Erich Hörl’s Sacred Channels: The Archaic Illusion of Communication. I believe the endorsement by Michael Wutz is a perfect summary of the book’s significance:

“Erich Hörl’s Sacred Channels is as original and innovative as they come. The book articulates an archaeology of modern notions of the sacred and the primitive and draws upon a wide-ranging theoretical framework that includes philosophy (phenomenology, Heidegger, and deconstruction), anthropology, media theory, and breakthrough developments in modern science. The substantial preface by Jean-Luc Nancy, and the excellent translation by Nils. F. Schott, make Sacred Channels(by now a classic in the German-speaking world) a groundbreaking book finally available to an English-speaking audience.” – Michael Wutz, Weber State University

The website includes also a free preview PDF of Nancy’s preface and the table of contents (link opens as PDF).

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A Lab of Labs

October 28, 2018 Leave a comment

AMT was again part of the Istanbul Design Biennial, this time together with Bilkent University (Ankara) hosting a workshop and a panel. We responded to the main theme of School of Schools with our own emphasis: a lab of labs. In other words, working with the Bilkent Media Archaeology Lab (led by Andreas Treske) we organised a two day event that performed a lab in as a method to investigate it as a assemblage of methods, techniques, affordances of the lab in an urban environment and in the context of Istanbul, a city with a long heritage of crafts, workshops, and design irreducible to a sanitized design thinking discourse.

Benefiting from the experience of Ege Berensel and Başak Altın we engaged in workshopping that included 8 mm found footage (home films) and motherboards (as a source of circuit bending and tinkering). While Ebruk Kurbak joined us to talk about her work in textiles, computing and material methodologies in speculative design, and Tuğçe Karatas shared her views as an independent curator, our special surprise guest was the local TV repair shop expert who gave us a two hour crash course into his work and electronics! The lab includes many kinds of expertise.

The workshop was also part of the research for #TheLabBook – online at What is a Media Lab?.

DSC_2338.JPGAndreas Treske’s opening words, together with Björk’s poetic exploration of the television.

DSC_2340.JPGBaşak Altın and Ege Berensel, artists from Ankara, were part of the work. Here Basak narrating a short visual history of motherboards.

DSC_2351 (1).JPGAn unpicking of a video projector into its material-epistemic components, measurable as objects of interest, unfolding multiple levels of media archaeology. #OfficeTruisms

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Labs as hands-on practice.

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A short introduction to electronics – from the perspective of repairing televisions and other appliances.

On Paul Virilio

September 26, 2018 Leave a comment

Paul Virilio (1932-2018) passed away recently in September. We wrote a short piece with Ryan Bishop about him – Blitzkrieg Baby.

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The Elastic System launches online

September 10, 2018 Leave a comment

Richard Wright’s art project the Elastic System has launched now online too. Originally commissioned as part of our AHRC funded project Internet of Cultural Things, the piece was first a temporary installation at the British Library (and subsequently touring to Hartley Library, University of Southampton where it was presented with support from Dr Jane Birkin and AMT).  Please find below the Press Release for the online launch. I myself am currently writing a text on art practices, library infrastructures and contemporary cultures of data in cultural institutions.

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Press Release

www.elasticSystem.net

Follow: https://twitter.com/ElasticSystem

You are invited to visit the new high resolution version of the ELASTIC SYSTEM, an artwork by Richard Wright in collaboration with the British Library.

The ELASTIC SYSTEM was produced during a year-long artist-in-residency at the British Library and is the first artwork to be given access to their core electronic networks and databases.

The work takes the form of an interactive portrait of the C19th librarian Thomas Watts, an obscure but important figure in the early history of information technology. In 1840 Thomas Watts invented his “elastic system” of storage for the British Library to cope with the enormous growth in their collections that was threatening to overwhelm them. This photomosaic has been generated from 4,300 books as they are currently stored in the Library basements at St Pancras, an area not normally accessible to the public. The “Elastic System” functions like a catalogue, allowing people to visually browse part of the British Library’s collections, something which has not been possible since Watts’ time. Furthermore, each book is connected live to the Library’s electronic requesting system. By clicking on a book you can find out more about the item and how to request it from the Library. If you do request a book, it is removed from the mosaic to reveal a second image underneath. This image is a portrait of the staff who work in the underground storage basements, the hidden part of the Library’s modern requesting system.

In order to create the second image, the artist spent two days working with the basement staff at the St. Pancras site, taking hundreds of photographs. With a collection as large and as diverse as the British Library’s, its successful functioning depends on a well tuned human element, which although it is as essential as the electronic networks, is less visible and less appreciated.

After being exhibited as an installation at the British Library, the Hartley Library and the Digital Catapult centre, the “Elastic System” has now been optimised and rebuilt at double the resolution. It is being released as a public web site on September 9th to mark the anniversary of the death of Thomas Watts in 1869.

This work is part of an AHRC funded research project called “The Internet of Cultural Things”, a partnership between the artist Richard Wright, Dr Mark Cote (KCL) and Professor Jussi Parikka (Winchester School of Art) with wide representation from the British Library including Jamie Andrews, Head of Culture and Learning, Dr Aquiles Alencar Brayner and Dr David Waldock. The aim is to use digital data and the creative arts to transform the way people and public institutions interact. The “Elastic System” uses Watts early C19th insights into database access to create a new catalogue out of visual metadata (digital photographs), making it a portrait that is also an extension of his work.

Richard Wright is an artist working in animation, moving image and interactive media. An archive of his work can be found here: www.futurenatural.net

Email: contact@elasticsystem.net

The artist has written three blog posts about their research behind this project:

https://internetofculturalthings.com/2016/06/08/where-is-the-library/

https://internetofculturalthings.com/2016/06/18/what-can-you-do-with-a-library/

https://internetofculturalthings.com/2016/09/01/elastic-system-how-to-judge-a-book-by-its-cover/

Google Photos: https://tinyurl.com/ElasticSystem-images

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