Archive

Archive for the ‘architecture’ Category

Oodi Art Project: AI and Other Intelligences

As part of our curatorial project on Library’s Other Intelligences we received an exclusive sneak preview of the new Helsinki Central Library, Oodi. With Shannon Mattern, Ilari Laamanen (Finnish Cultural Institute New York) and our artists we were able to see how the insides are shaping up. The aesthetically and architecturally stunning building is also such an interesting cluster of spaces that one could write about them much more extensively than just a this short posting. That longer piece might follow later, but already now I personally was struck how they deal with media in its multiple forms from analog to digital, from projection to making. From a cinema theatre equipped with also 35 and 70 mm projecting opportunities to a bespoke space for an analog synthesiser, the library offers an amazing platform for a public engagement with media which also includes recording studio space and a maker space – and yes, even a kitchen. The library is catered as a space of media transformations. At the moment the building exposed its multiple wires, cables, ducts and work – the labour of construction as well as cleaning that is already going on for the launch in December.DSC_1800.JPG

 

The top floor is reserved for what one would imagine as the “traditional” library, a space for books and reading, which also opens up to a terrace overlooking the Finnish parliament building. The roof wave is pretty stunning.

DSC_1828 (1).JPG

DSC_1822.JPG

I wanted to include some of the visual impressions from the space that shows its infrastructure being built up,  a theme that is present in some of the works from the artists Samir Bhowmik, Jenna Sutela and Tuomas A. Laitinen. In general, a key theme of our project concerns architectures and infrastructures of intelligence – both engaging with AI but as an expanded set of intelligences from architectural intelligence to ambient intelligence, from acoustics to amoebas and others layers of an ecology of a library that is a life support system – biologically, intellectually and culturally. It’s these multiple AIs that define the generative forms of languages, materials, and new publics that are present in how we want the space to be perceived. The exhibition opens in January 2019. Updates on social media will use the hashtag #OodiIntel.

DSC_1794.JPG

DSC_1804 (1).JPG

DSC_1808.JPG

Advertisements

Underground the White Mountain

October 30, 2016 Leave a comment

I was invited to talk at the Serpentine Gallery’s Miracle Marathon this year. My take on the theme was to talk of the underground and the occult worlds of the long legacy of the Cold War. I performed with Emma Charles’ film White Mountain. Here’s the video of the talk.

 

More about Charles’ film in a short story in the new magazine issue of Postmatter.
The same magazine issue includes a new interview with me: Fossils of the Future.

Terms of Media 2: Actions

September 15, 2015 Leave a comment

Part two of the Leuphana University and Brown University collaboration “Terms of Media” is taking place in October in Providence, US. I am extremely glad to be part of it, talking in the section “Remain”. If all goes as planned, the talk will move from the “remains” or “remainder” in the sense of the archival and the epistemological to emphasize issues of remains of media technologies in actioned situations. Remains are not merely of the archival, but part of a design brief with a hands-on relation to epistemology; labs, studios that address the remain as in the context of media archaeology but also design, sometimes implicitly, sometimes explicitly. The remainder becomes further detached from a nostalgic object to an issue that relates to contemporary ecologies of architecture, extended urbanism, supply chains and the “alternative worlds, alien landscapes, industrial ecologies and precarious wilderness” (Unknown Fields). I also will try to conclude with a mention of the methodological and thematic dilemma of infrastructural remains with a hat tips to Shannon Mattern and Unknown Fields (Liam Young & Kate Davies).

Below more info about the conference!

poster 1 1000

TERMS OF MEDIA 2: Actions
Brown University
October 8-10, 2015
with Marcell Mars, Rick Prelinger, Lisa Parks, Claus Pias, Timon Beyes, Reinhold Martin, Jussi Parikka, Rebecca Schneider, Goetz Bachmann, Lisa Nakamura, Gertrud Koch, Bernard Stiegler, Finn Brunton, Mercedes Bunz, Wolfgang Hagen, Eyal Weizman, Kara Keeling, Luciana Parisi
Please forward any questions to termsofmedia@brown.edu
RSVP HERE: https://goo.gl/csrNhR

An international conference to analyze and reshape the terms—limits, conditions, periods, relations, phrases—of media.

“Me­dia de­ter­mi­ne our si­tua­ti­on,” Fried­rich Kitt­ler in­fa­mous­ly wro­te in his in­tro­duc­tion to Gra­mo­pho­ne, Film, Ty­pewri­ter. Alt­hough this dic­tum is cer­tain­ly ex­tre­me – and me­dia ar­chaeo­lo­gy has been cri­ti­qued for being over­ly dra­ma­tic and fo­cu­sed on tech­no­lo­gi­cal de­ve­lop­ments – it pro­pels us to keep thin­king about me­dia as set­ting the terms for which we live, so­cia­li­ze, com­mu­ni­ca­te, or­ga­ni­ze, do scho­lar­ship etc. Af­ter all, as Kitt­ler con­ti­nued in his opening state­ment al­most 30 ye­ars ago, our si­tua­ti­on, “in spi­te or be­cau­se” of me­dia, “de­ser­ves a de­scrip­ti­on.” What, then, are the terms of me­dia? And, what is the re­la­ti­ons­hip bet­ween the­se terms and de­ter­mi­na­ti­on?

This conference will serve as the concluding half of a two-part project, following an earlier conference at Leu­pha­na Uni­ver­si­ty in Lüne­burg, Ger­ma­ny, and will be followed by a se­ries of pu­bli­ca­ti­ons ba­sed on each which will seek to re­po­se and up­date these fun­da­men­tal ques­ti­ons of me­dia theo­ry: Does our si­tua­ti­on in­di­ca­te a new term, un­ders­tood as tem­po­ral shifts of me­dia­tic con­di­tio­n­ing, which de­ser­ves a re-de­scrip­ti­on? How and on what terms are me­dia chan­ging, re­flec­ting chan­ges in me­dia its­elf? What are the terms of con­di­ti­ons that we ne­go­tia­te as sub­jects of me­dia? How do the terms of me­dia theo­ry re­la­te to such con­di­ti­ons? What are the terms of con­di­ti­ons of me­dia theo­ry itself?

Thursday Keynotes to be held in the Martinos Auditorium, Granoff Center:
154 Angell Street
Providence, Rhode Island 02906 USA

Remaining talks to be held at Pembroke Hall:
172 Meeting Street
Providence, Rhode Island 02906 USA

Schedule is as follows:

Thursday, October 8, 2015
Conference Introduction, 7 p.m.
• Wendy Hui Kyong Chun, Professor and Chair, Department of Modern Culture and Media, Brown University
Keynote Address, 7:15 p.m.
• Marcell Mars, Public Library Project
• Rick Prelinger, Professor of Film and Digital Media and Board Member of the Internet Archive, University of California, Santa Cruz
Opening Reception, 9 p.m.

Friday, October 9, 2015
Session 1: Structure, 10 a.m. – 11:30 a.m.
• Lisa Parks, Professor of Film and Media, University of California, Santa Barbara
• Claus Pias, Professor for Media Theory and Media History, Institute of Culture and
Aesthetics of Digital Media, Leuphana
Session 2: Organize, 11:45 a.m. -1:15 p.m.
• Timon Beyes, Professor of Design, Innovation and Aesthetics, Copenhagen Business
School
• Reinhold Martin, Professor of Architecture, Planning and Preservation, Columbia
University in the City of New York
Lunch, 1:15 p.m. -2:30 p.m.
• Presenters and invited guests
Session 3: Remain, 2:30 p.m.-4:00 p.m.
• Jussi Parikka, Professor in Media & Design, University of Southampton
• Rebecca Schneider, Professor, Theatre Arts and Performance Studies, Brown University
Session 4: Work, 4:15 p.m.-5:45 p.m.
• Goetz Bachmann, Professor for Digital Cultures, Institute of Culture and Aesthetics of
Digital Media, Leuphana
• Lisa Nakamura, Professor, Departments of American Cultures and Screen Arts and
Cultures, University of Michigan
Conference Dinner, 7 p.m.
• Presenters and invited guests

Saturday, October 10, 2015
Session 1: Animate, 10 a.m. – 11:30 a.m.
• Gertrud Koch, Visiting Professor, Department of Modern Culture and Media, Brown University
• Bernard Stiegler, Head, Institut de recherche et d’innovation, Centre Georges Pompidou
Session 2: Communicate, 11:45 a.m. -1:15 p.m.
• Finn Brunton, Assistant Professor, Department of Media, Culture and Communication,
New York University
• Mercedes Bunz, Senior Lecturer, Communication and Media Research
Institute, University of Westminster
Lunch, 1:15 p.m. -2:30 p.m.
• Presenters and invited guests
Session 3: Forecast, 2:30 p.m.-4:00 p.m.
• Wolfgang Hagen, Professor, Institute of the Culture and Aesthetics of Digital Media,
Leuphana University
• Eyal Weizman, Professor of Spatial & Visual Cultures, Goldsmiths, University London
Session 4: Mediate, 4:15 p.m.-5:45 p.m.
• Kara Keeling, Associate Professor of Critical Studies and American Studies and Ethnicity, University of Southern California
• Luciana Parisi, Reader, Centre for Cultural Studies, Goldsmiths, University of London

TOKI-town

December 19, 2014 2 comments

Istanbul is most often commented for its stunning beauty in a manner that approaches a modern touristic version of orientalism. For sure it is stunning, but the other side of Istanbul, as real but less visible, is the barbed wire protecting upper middle class & luxury housing areas, security cameras, traffic queues, and TOKIs. Indeed, urban planning and Istanbul is such a rich case study not merely if one is interested in Turkey but global capitalism and megacities in general.

To quote a recent MoMA-exhibition Uneven Growth:

“TOKI development parallels the emergence of a new middle class in Istanbul for whom a TOKI flat is part of a dream of car and house ownership, even if this brings social isolation, long hours in traffic, and long-term debt.”

Screen Shot 2014-12-19 at 7.34.22 PM(Image from Moma/Uneven Growth.)

Categories: architecture, Istanbul

Photochemical Smog as New Media

February 24, 2014 7 comments

Perhaps photochemical smog is the only true new visual media of post World War II technological culture. It represents the high achievements in science and technology, combined with (synthetic) chemistry and sunlight. It modulates the light like advanced visual media should and embeds us in its augmented reality as we suck it into our lungs.

smog460x276It encapsulates the mediatic cities of Los Angeles and Beijing, as encompassing surely as Hollywood’s machinery. Just like the material basis of technical media of more conventional kind – such as photography and film – it is chemical based. It is media the same as any photochemical process is about how light gets absorbed on our planet’s atoms and molecules.

But it’s new media, particular to the modern industrial age and the chemical reactions of more recent history. It feeds of industrial pollution and modern transport. It is about the screen as well – how the sunlight is offered this massive living chemical molecular screen on which to project its energetic images. A molecular aesthetics of an ecology of a dying planet.

pollution_1756597i

Architecture’s Underbelly

December 28, 2013 Leave a comment

One of the low points of architecture in 2013 was architect Zaha Hadid’s football stadium in Qatar. Designed for the forthcoming games of 2022, the main part of the discussion has been about whether it resembles a vagina or not.

Al-Wakrah stadium

Besides reducing architectural discourse to a pretend shock about female genitalia, the case is emblematic of how design is detached from the actual world conditions. Instead of engaging in any way with the reports about abusive working conditions in the construction sites of such stadiums for Qatar 2022, we are left debating the building’s pinky Freudian connotations. Despite the pseudo-feminist debate it raised, a rather sad moment for design. It actually just flags detachment of both architectural popular discourse and architects such as Hadid from a connection with things that might have some material meaning or a meaningful impact for those whose lives this has a direct lived relation.

The underbelly of star designers are: “long working hours, hazardous working conditions, the workers being unpaid for months, had their passports confiscated, forced to live in overcrowded labour camps, denied the right to form unions, and without access to free drinking water in extreme heat”.

But the creative industries backed discourse of stars and creativity demands this underbelly of grey abusive low-paid and globally displaced hard work that is sustaining the fluffy public discourse about design.