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Media Theory in Transit – a symposium at the Winchester School of Art

October 6, 2015 2 comments

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Media Theory in Transit: A one-day symposium at the Winchester School of Art, University of Southampton,

November 24, 2015.

organised by Jussi Parikka and Yigit Soncul

Media theory is in transit: the concepts travel across space and time, claiming new meanings for new uses along the way. We are not dealing with a static body of knowledge, but a dynamic, situated process of articulating knowledge and perceiving reality. Media theory crosses both geographical and disciplinary boundaries. It trespasses the border between Humanities and Sciences, and is able to carve out new sites of knowledge. It moves across conceptual lineages from human to non-human, and supposedly distinct senses such as sight, hearing and smell. Media theory is not merely a reflection on the world but an active involvement that participates in creating the objects of interest.

This event investigates such conceptual, geographical and sensorial passages of media theory. The talks address contemporary media theory and issues that are now identified as urgent for academic and artistic practices. The speakers represent different fields of arts and humanities as well as media theory, and engage with the question: how does theory move, and itself occupy new areas of interest, across academic fields and across geographies, in which theory itself is set to be in movement.

The event is supported by the Santander-fund, via University of Southampton and the Faculty Postgraduate Research Funds.

Media Theory in Transit is open and free to attend but please register via Eventbrite!

Schedule

The PhD Study Room (East Building)

10.30 Introduction by Yigit Soncul and Jussi Parikka

10.40 Erick Felinto (State University of Rio de Janeiro, UERJ): “Vilém Flusser’s ‘Philosophical Fiction’: Science, Creativity and the Encounter with Radical Otherness”

11.30 Joanna Zylinska (Goldsmiths, London): “The liberation of the I/eye: nonhuman vision”

12.20 lunch break

14.00 Shintaro Miyazaki: (Critical Media Lab, Basel): “Models As Agents – Designing Epistemic Diffraction By Spinning-Off Media Theory”

14.50 Seth Giddings (WSA): “Distributed imagination: small steps to an ethology of mind and media”

15.20 Jussi Parikka (WSA): “Labs as Sites of Theory/Practice”

15.50 short summary discussion

16.10-16.30 Jane Birkin (WSA) “The Viewing of Las Meninas (performance)

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” The Anthropocene: Looking for the Emergency Exit”

September 17, 2015 Leave a comment

I will be in Bristol on October 1st to talk about Geology of Media. The presentation part of a very nice looking talk series organised by colleagues at UWE, “The Anthropocene: Looking for the Emergency Exit“. I am also pleased that the talk is chaired by Michelle Henning!

On a related note, on the fantasy of planetary exists, Benedict Singleton’s “Maximum Jailbreak” is a good read!

Terms of Media 2: Actions

September 15, 2015 Leave a comment

Part two of the Leuphana University and Brown University collaboration “Terms of Media” is taking place in October in Providence, US. I am extremely glad to be part of it, talking in the section “Remain”. If all goes as planned, the talk will move from the “remains” or “remainder” in the sense of the archival and the epistemological to emphasize issues of remains of media technologies in actioned situations. Remains are not merely of the archival, but part of a design brief with a hands-on relation to epistemology; labs, studios that address the remain as in the context of media archaeology but also design, sometimes implicitly, sometimes explicitly. The remainder becomes further detached from a nostalgic object to an issue that relates to contemporary ecologies of architecture, extended urbanism, supply chains and the “alternative worlds, alien landscapes, industrial ecologies and precarious wilderness” (Unknown Fields). I also will try to conclude with a mention of the methodological and thematic dilemma of infrastructural remains with a hat tips to Shannon Mattern and Unknown Fields (Liam Young & Kate Davies).

Below more info about the conference!

poster 1 1000

TERMS OF MEDIA 2: Actions
Brown University
October 8-10, 2015
with Marcell Mars, Rick Prelinger, Lisa Parks, Claus Pias, Timon Beyes, Reinhold Martin, Jussi Parikka, Rebecca Schneider, Goetz Bachmann, Lisa Nakamura, Gertrud Koch, Bernard Stiegler, Finn Brunton, Mercedes Bunz, Wolfgang Hagen, Eyal Weizman, Kara Keeling, Luciana Parisi
Please forward any questions to termsofmedia@brown.edu
RSVP HERE: https://goo.gl/csrNhR

An international conference to analyze and reshape the terms—limits, conditions, periods, relations, phrases—of media.

“Me­dia de­ter­mi­ne our si­tua­ti­on,” Fried­rich Kitt­ler in­fa­mous­ly wro­te in his in­tro­duc­tion to Gra­mo­pho­ne, Film, Ty­pewri­ter. Alt­hough this dic­tum is cer­tain­ly ex­tre­me – and me­dia ar­chaeo­lo­gy has been cri­ti­qued for being over­ly dra­ma­tic and fo­cu­sed on tech­no­lo­gi­cal de­ve­lop­ments – it pro­pels us to keep thin­king about me­dia as set­ting the terms for which we live, so­cia­li­ze, com­mu­ni­ca­te, or­ga­ni­ze, do scho­lar­ship etc. Af­ter all, as Kitt­ler con­ti­nued in his opening state­ment al­most 30 ye­ars ago, our si­tua­ti­on, “in spi­te or be­cau­se” of me­dia, “de­ser­ves a de­scrip­ti­on.” What, then, are the terms of me­dia? And, what is the re­la­ti­ons­hip bet­ween the­se terms and de­ter­mi­na­ti­on?

This conference will serve as the concluding half of a two-part project, following an earlier conference at Leu­pha­na Uni­ver­si­ty in Lüne­burg, Ger­ma­ny, and will be followed by a se­ries of pu­bli­ca­ti­ons ba­sed on each which will seek to re­po­se and up­date these fun­da­men­tal ques­ti­ons of me­dia theo­ry: Does our si­tua­ti­on in­di­ca­te a new term, un­ders­tood as tem­po­ral shifts of me­dia­tic con­di­tio­n­ing, which de­ser­ves a re-de­scrip­ti­on? How and on what terms are me­dia chan­ging, re­flec­ting chan­ges in me­dia its­elf? What are the terms of con­di­ti­ons that we ne­go­tia­te as sub­jects of me­dia? How do the terms of me­dia theo­ry re­la­te to such con­di­ti­ons? What are the terms of con­di­ti­ons of me­dia theo­ry itself?

Thursday Keynotes to be held in the Martinos Auditorium, Granoff Center:
154 Angell Street
Providence, Rhode Island 02906 USA

Remaining talks to be held at Pembroke Hall:
172 Meeting Street
Providence, Rhode Island 02906 USA

Schedule is as follows:

Thursday, October 8, 2015
Conference Introduction, 7 p.m.
• Wendy Hui Kyong Chun, Professor and Chair, Department of Modern Culture and Media, Brown University
Keynote Address, 7:15 p.m.
• Marcell Mars, Public Library Project
• Rick Prelinger, Professor of Film and Digital Media and Board Member of the Internet Archive, University of California, Santa Cruz
Opening Reception, 9 p.m.

Friday, October 9, 2015
Session 1: Structure, 10 a.m. – 11:30 a.m.
• Lisa Parks, Professor of Film and Media, University of California, Santa Barbara
• Claus Pias, Professor for Media Theory and Media History, Institute of Culture and
Aesthetics of Digital Media, Leuphana
Session 2: Organize, 11:45 a.m. -1:15 p.m.
• Timon Beyes, Professor of Design, Innovation and Aesthetics, Copenhagen Business
School
• Reinhold Martin, Professor of Architecture, Planning and Preservation, Columbia
University in the City of New York
Lunch, 1:15 p.m. -2:30 p.m.
• Presenters and invited guests
Session 3: Remain, 2:30 p.m.-4:00 p.m.
• Jussi Parikka, Professor in Media & Design, University of Southampton
• Rebecca Schneider, Professor, Theatre Arts and Performance Studies, Brown University
Session 4: Work, 4:15 p.m.-5:45 p.m.
• Goetz Bachmann, Professor for Digital Cultures, Institute of Culture and Aesthetics of
Digital Media, Leuphana
• Lisa Nakamura, Professor, Departments of American Cultures and Screen Arts and
Cultures, University of Michigan
Conference Dinner, 7 p.m.
• Presenters and invited guests

Saturday, October 10, 2015
Session 1: Animate, 10 a.m. – 11:30 a.m.
• Gertrud Koch, Visiting Professor, Department of Modern Culture and Media, Brown University
• Bernard Stiegler, Head, Institut de recherche et d’innovation, Centre Georges Pompidou
Session 2: Communicate, 11:45 a.m. -1:15 p.m.
• Finn Brunton, Assistant Professor, Department of Media, Culture and Communication,
New York University
• Mercedes Bunz, Senior Lecturer, Communication and Media Research
Institute, University of Westminster
Lunch, 1:15 p.m. -2:30 p.m.
• Presenters and invited guests
Session 3: Forecast, 2:30 p.m.-4:00 p.m.
• Wolfgang Hagen, Professor, Institute of the Culture and Aesthetics of Digital Media,
Leuphana University
• Eyal Weizman, Professor of Spatial & Visual Cultures, Goldsmiths, University London
Session 4: Mediate, 4:15 p.m.-5:45 p.m.
• Kara Keeling, Associate Professor of Critical Studies and American Studies and Ethnicity, University of Southern California
• Luciana Parisi, Reader, Centre for Cultural Studies, Goldsmiths, University of London

ScanLab – 3D Scanning and Materialities of Design

Here’s a nice video of ScanLab-group with Benjamin Bratton and Jordan Crandall (UCSD) talking about design, sensors and sensing. In the discussion, the issues of design are connected to the wider theme of the mechanical image and how visual culture is changing in the age of new visual techniques, such as (3D) scanning. The panel is part of an exhibition also we at WSA collaborated in curating, on Autonomous Sensing!

The Cover Design for A Geology of Media

December 14, 2014 Leave a comment

After just finishing reading the final proofs for A Geology of Media, I wanted to post the cover design online. The image motif is from the Crystal World project by Kemp, Jordan, and Howse; such an inspiring project that features especially in the book’s chapter III on Psychogeophysics.

image_miniA Geology of Media is out in April 2015 – meanwhile, you might be interested in reading the short “single release”, The Anthrobscene (ebook)!

A Mini-Interview: Mercedes Bunz explains meson press

July 11, 2014 5 comments

meson press first book, Rethinking Gamification (PDF), was just released in Lüneburg. Part of the Hybrid Publishing Lab at the Leuphana University, the press focuses on digital culture and network media with the aim to “challenge contemporary theories and advance key debates in the humanities today.” I was interested in inviting one of the representatives of the press, Mercedes Bunz, to share in the style of some earlier mini-interviews I have conducted what she sees as the stakes in coming up with a multiple-format publishing house that focuses on theory.

Most of scholars are increasingly frustrated with the dinosauric habits of big academic publishers, but how to establish alternatives in the academic world that is challenged both by the necessity of new formats and by the only slowly changing recognition systems of the academic world?

The burning questions in publishing seem to be about the changing media ecology of academia of which publishing is one part – and inherently connected to institutional settings and subject-positions.

In other words, the question posed to Bunz: mesonpress_gamification

“What and why is meson press as a theory publishing project and does it connect with the wider question of the “post-digital scholar?”

Mercedes Bunz: “You are right: publishing itself gets profoundly questioned by digital media, it isn’t just that digital media is an exciting field for theory because it never stands still.

The interesting thing: while we all know that within publishing there is “disruption”, oddly enough this doesn’t necessarily mean that there will be change. It might be true that technology offers alternative ways of publishing. However, reputation management and academic recognition systems stand in the way and ensure that nothing changes. Thus, the situation we find ourselves in is slightly mad: technically there are many ways to publish and share intelligent thoughts by now. However, young academics can’t use those alternatives because then their book a) can’t find its way into academic libraries which means b) they don’t get cited, or c) the book isn’t recognized for their CV. For all of that it still needs an approved publisher. Our technical super-connected, post-digital world is left helpless.

Of course, one can’t accept this.

meson press works its way through this situation. Naturally as academics who are also media scholars, we are quite interested in exploring the question: What chances are there in digital book production for theory debates? Our answer so far is the following: We publish open access, and this makes books easily findable and pushes citation. Also we foster the findability of our books regarding search engines and catalogues, and take marketing quite serious. However, the most important difference in my opinion is the conceptual understanding of what this is: a book.

Similar to Mattering Press, or Christopher Kelty’s scholarly magazine Limn http://limn.it/ our publishing project is an academic cooperative: from academics for academics. This means in our view, a book becomes a place to meet and debate, similar to a lecture, a workshop, or a seminar. Editing a book was always a starting point for a discussion, copy-editing was always a way to connect or disagree. It is this tendency which now needs to be further amplified. In other words, we take quality assessment very serious and try to turn it into a concept: A book isn’t just a product that starts a dialogue between author and reader. It is accompanied by lots of other academic conversations – peer review, co-authors, copy editors – and these conversations deserve to be taken more serious. In a post-digital world one needs to understand that a book is a process that gives good reason to meet in person. Formats like book sprints have lead the way. Wendy Chun has also inspired us to create a writing group in which we constructively discuss a non-completed essay or chapter.

So I suppose this is how meson press connects to our situation as post-digital scholars. As a publishing house which is also a publishing project, we focus on the book as a form of communication, and this communication is an important part of its production. This is a way to optimize its task: to intervene, and challenge (which is not an easy task in our neoliberal societies). But we like the humanities, and we like them alive and kicking.

If I may give you a little overview of our upcoming publishing projects: After”Rethinking Gamification” we will publish two forgotten classics: The first will be by the Greek-French philosopher Kostas Axelos “On Marx and Heidegger”, which is edited with great care and expertise by Stuart Elden. We are very interested in Axelos’ take on technology and alienation. The second will be by Antonia Caronia “The Cyborg”.

Also we are very proud that Yuk Hui and Erich Hörl have started editing the series “After Simondon” with us, and we are preparing two edited collections “Diffracting Kittler: German Media Theory and Beyond” and “Critical Keywords for the Digital Humanities”.

Sorry, but may I end this little interview with an appeal? If anyone has an idea for a thrilling book proposal in the context of digital culture and media studies, please send us a short trenchant abstract and chapter overview to: mesonpress@hybridpublishing.org.”

Deleuze and the New Humanities in Hong Kong

I will be speaking in Hong Kong in June and addressing Deleuze and digital culture. However, my argument is that instead of the usual suspect of starting with the Control Societies-text, Deleuze affords an understanding of the materialities of technological and scientific culture in many other ways too. As part of the geophysical materiality, we can talk about desire’s investment as an infrastructural issue of power – not ideology, just desire but that is infrastructurally effective.

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