With tongue in cheek, I call it object-oriented-madness. Collections of lists, notes, polaroids: of objects, newspapers, series after series, accompanied with measuring devices of various sorts (time measurement, geiger counter, and so forth). Even empty places, room corners, merit wide explanations and commentaries.
Horst Ademeit’s Secret Universe is like a diary of madness, illustrating some of the classical symptoms found often in medical case studies – and of continous interest to media theorists: they are not only personal/social symptoms, but socio-mediatic symptoms, as with Dr Schreber, or for instance Victor Tausk’s study of “influencing machine” concerning delusional schizophrenia – as well as broadcasting media (see Jeffrey Sconce’s article in Media Archaeology).
On the Hamburger Bahnhof-website the project is described as follows:
“This artist has devoted more than 20 years of his life to the photographic documentation of what he called “cold rays” and other invisible radiation that he thought harmed him and his environment. In the complex reference systems developed by Ademeit, certain motifs play a constant role: electricity meters, peepholes, building sites, electric cables, collections of bulky trash or bikes. Ademit began to cast the flood of images he produced in a concrete form in October 1990: he arranged measuring instruments and a compass on a newspaper and photographed them with a Polaroid camera. Over the course of 14 years, he made 6006 numbered Polaroids.”
Watching the hundreds, perhaps thousands of polaroids, meticulously commented one thinks of archival lists, notes, and notation systems themselves as tightly coupled with measurement systems. It’s curious how so many of the pictures were focused on electricity systems, part of wider electricity networks of course. But also indeed trash, miscellaneous objects in a manner that reminded me of some of the object-oriented ontology and vibrant matter theorists interest in hoarding and the life of objects. Jane Bennett talks of hoarding and “thing-power”, Paul Caplan has aptly talked of similar themes in relation to data and object-oriented philosophy approaches. What I want to point towards more widely is how the metaphysical idea of agency
of things, and matter is inherent so well in mental disorders, which themselves can be seen as wider mediatic phenomena (well, also part of capitalist consumer society). As such, there is an inherent link between this technical media-capitalist context, and object-oriented approaches, if understood more widely. This brings specificity to the context in which the wider interest in thingsirreducible to discourses and human practices emerges. It is parallel to the observational power of the paranoid schizophrenic, who believes in thing-power — or that things have agency, connected to wider networks. Such paranoia is an observation of power, and of things empowered. Furthermore, watching the series of meticulous organisation (labeled, serialized also by numbering) of for instance newspapers to show the repetitious elements in layout etc. one cannot but think of the digital humanities projects concerning serialisation…could we find a geneaology even for that in the madness of painstaking serialisation?