Archive for the ‘Winchester’ Category

Media Theory in Transit – a symposium at the Winchester School of Art

October 6, 2015 1 comment


Media Theory in Transit: A one-day symposium at the Winchester School of Art, University of Southampton,

November 24, 2015.

organised by Jussi Parikka and Yigit Soncul

Media theory is in transit: the concepts travel across space and time, claiming new meanings for new uses along the way. We are not dealing with a static body of knowledge, but a dynamic, situated process of articulating knowledge and perceiving reality. Media theory crosses both geographical and disciplinary boundaries. It trespasses the border between Humanities and Sciences, and is able to carve out new sites of knowledge. It moves across conceptual lineages from human to non-human, and supposedly distinct senses such as sight, hearing and smell. Media theory is not merely a reflection on the world but an active involvement that participates in creating the objects of interest.

This event investigates such conceptual, geographical and sensorial passages of media theory. The talks address contemporary media theory and issues that are now identified as urgent for academic and artistic practices. The speakers represent different fields of arts and humanities as well as media theory, and engage with the question: how does theory move, and itself occupy new areas of interest, across academic fields and across geographies, in which theory itself is set to be in movement.

The event is supported by the Santander-fund, via University of Southampton and the Faculty Postgraduate Research Funds.

Media Theory in Transit is open and free to attend but please register via Eventbrite!


The PhD Study Room (East Building)

10.30 Introduction by Yigit Soncul and Jussi Parikka

10.40 Erick Felinto (State University of Rio de Janeiro, UERJ): “Vilém Flusser’s ‘Philosophical Fiction’: Science, Creativity and the Encounter with Radical Otherness”

11.30 Joanna Zylinska (Goldsmiths, London): “The liberation of the I/eye: nonhuman vision”

12.20 lunch break

14.00 Shintaro Miyazaki: (Critical Media Lab, Basel): “Models As Agents – Designing Epistemic Diffraction By Spinning-Off Media Theory”

14.50 Seth Giddings (WSA): “Distributed imagination: small steps to an ethology of mind and media”

15.20 Jussi Parikka (WSA): “Labs as Sites of Theory/Practice”

15.50 short summary discussion

16.10-16.30 Jane Birkin (WSA) “The Viewing of Las Meninas (performance)

ScanLab – 3D Scanning and Materialities of Design

Here’s a nice video of ScanLab-group with Benjamin Bratton and Jordan Crandall (UCSD) talking about design, sensors and sensing. In the discussion, the issues of design are connected to the wider theme of the mechanical image and how visual culture is changing in the age of new visual techniques, such as (3D) scanning. The panel is part of an exhibition also we at WSA collaborated in curating, on Autonomous Sensing!

AHRC Funding for the “Internet of Cultural Things”-project

April 17, 2015 1 comment

We are happy to announce that the AHRC has granted funding for our Internet of Cultural Things (IoCT) project, a one year research partnership between Kings College London, Winchester School of Art (University of Southampton), and the British Library.

The project examines the cultural dimensions of data via the born-digital material generated by the British Library, ranging from items ingested to reading room occupancy to catalogue searches. Through practice-informed research we engage this otherwise hidden cultural data, and hold a series of pop-up installations to make it visible and interfaced with the public to think through our data interconnectedness. By focusing on cultural institutions, we can move beyond the integrated operating system of the ‘Internet of Things’ and its purported productivity gains, efficiencies. Instead, we will use critical creative practice to rethink cultural institutions as living organism of data that is both dynamic and recursive. We propose the IoCT as a concept to discuss this new situation of digital data and cultural institutions.

The project starts in September 2015, and is led by Dr Mark Cote (KCL) as the PI and Prof Jussi Parikka (WSA/Southampton) as the CO-I with partners from the British Library (Jamie Andrews) and collaborating with the artist Dr Richard Wright (London).

The British Library, a data institution. Image by Richard Wright.

The British Library, a data institution.
Image by Richard Wright.

See also: Living Knowledge: The British Library 2015-2023.

A Geology of Media – out and available

March 23, 2015 1 comment

So this is a sort of an announcement: I was happy to receive my first copy of A Geology of Media during my visit to UNSW in Sydney.  In other words, the book is now more or less out – a bit ahead of schedule and gradually available in online and offline bookshops, and of course in different e-formats (Kindle, epub, etc) already!

The earlier published little e-booklet The Anthrobscene was a short preview single of this main book that is also now out!


My talk in Sydney was the first “book talk” after the book is actually out, and it will be followed by several more during the Spring. The talks are primarily in Europe, and some launch celebrations are planned for May in Winchester (at WSA), and also London, Vienna, Utrecht and Stockholm. More details of dates and places to follow.

Please find below the official release text with information on how to obtain a review copy! Please spread the word to people who might be interested and consider asking your university library to order a copy.

A sweeping new ecological take on technology

By Jussi Parikka
University of Minnesota Press l 224 pages l April 2015
ISBN 978-0-8166-9552-2 | paperback | $24.95
ISBN 978-0-8166-9551-5 | hard cover | $87.50
Electronic Mediations, Volume 46

Media history is millions, even billions, of years old.  That is the premise of Jussi Parikka’s pioneering and provocative book, A Geology of Media, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves – Earth’s history, geological formations, minerals, and energy.

“Jussi Parikka’s A Geology of Media really expands what media theory can do.  The materiality of media is no longer restricted to questions of economies of technics but extends all the way to its molecular composition.  It connects the fast calculations of digital time to the deepest of temporalities, that of the earth itself.  An essential contribution to a media theory for the Anthropocene.”—McKenzie Wark, author of Molecular Red

“A Geology of Media does not complete or close down an area of research, but rather opens one up. This book is vital to any continuing consideration of media today.”

— Steven Shaviro, author of The Universe of Things: On Speculative Realism

Jussi Parikka is professor in technological culture and aesthetics at Winchester School of Art, University of Southampton.  He is the author of Insect Media (Minnesota, 2010), Digital Contagions, and What is Media Archaeology?

For more information, including the table of contents, visit the book’s webpage:
Electronic Mediations-series.

For review copies or author interview requests, contact:
Heather Skinner, Publicist
University of Minnesota Press
111 3rd Ave S, Ste. 290
Minneapolis, MN 55401-2520
skinn077 — at  —
v * 612-627-1932
f * 612-627-1980

The Consortium: On Autonomous Sensing

January 6, 2015 1 comment

Last Spring we at #WSA started a consortium partnership with two other universities: University of California (San Diego) and Parsons School of Design (New School, NYC). Together with Jordan Crandall and Benjamin Bratton from USCD and Ed Keller from Parsons we are addressing themes such as machine perception, remote sensing, synthetic intelligence, etc. We are also organising a panel for transmediale 2015 – and Jordan Crandall will be in performing his drone performance Unmanned.

But already before transmediale at the end of this month, we are organising a group meeting and a public panel this week in San Diego under the rubric of “Autonomous: Sensing“.

Last Spring, we organised a panel in Winchester on Design and Contemporary Technological Realities and we aim to continue these meetings alongside some publications and curating exhibitions with the consortium partners.

— update —

Below some pictures from the San Diego-event and our panel.




July 11, 2014 12 comments

My good news of the day is that my university (University of Southampton) confirmed that I have been promoted to full professor. It comes with a fancy title Professor in Technological Culture & Aesthetics and kicks in next month for the new academic year! Big thanks to Winchester School of Art, its head Ed D’Souza and other colleagues for the support!

Or in other words:


Designing Techno-Political Realities and Imaginaries

May 6, 2014 1 comment

We at the Winchester School of Art (#WSA) are hosting this lovely little event – with quite the trio: Benjamin Bratton, Jordan Crandall and Ed Keller are coming to Winchester for meetings and agreed to give a joint panel on Design, Biopolitics and Contemporary Technological Realities – and imaginaries we might want to add.

More info here, and below their titles for the short interventions in the panel:

Benjamin H. Bratton: “On Platform-Based on Robotics”

Jordan Crandall: “The Materiality of Drones”

Ed Keller: “Shadow Ecologies, An Alternate Biopolitical History”


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