Archive for the ‘affect’ Category

Terms of Media 2: Actions

September 15, 2015 Leave a comment

Part two of the Leuphana University and Brown University collaboration “Terms of Media” is taking place in October in Providence, US. I am extremely glad to be part of it, talking in the section “Remain”. If all goes as planned, the talk will move from the “remains” or “remainder” in the sense of the archival and the epistemological to emphasize issues of remains of media technologies in actioned situations. Remains are not merely of the archival, but part of a design brief with a hands-on relation to epistemology; labs, studios that address the remain as in the context of media archaeology but also design, sometimes implicitly, sometimes explicitly. The remainder becomes further detached from a nostalgic object to an issue that relates to contemporary ecologies of architecture, extended urbanism, supply chains and the “alternative worlds, alien landscapes, industrial ecologies and precarious wilderness” (Unknown Fields). I also will try to conclude with a mention of the methodological and thematic dilemma of infrastructural remains with a hat tips to Shannon Mattern and Unknown Fields (Liam Young & Kate Davies).

Below more info about the conference!

poster 1 1000

Brown University
October 8-10, 2015
with Marcell Mars, Rick Prelinger, Lisa Parks, Claus Pias, Timon Beyes, Reinhold Martin, Jussi Parikka, Rebecca Schneider, Goetz Bachmann, Lisa Nakamura, Gertrud Koch, Bernard Stiegler, Finn Brunton, Mercedes Bunz, Wolfgang Hagen, Eyal Weizman, Kara Keeling, Luciana Parisi
Please forward any questions to

An international conference to analyze and reshape the terms—limits, conditions, periods, relations, phrases—of media.

“Me­dia de­ter­mi­ne our si­tua­ti­on,” Fried­rich Kitt­ler in­fa­mous­ly wro­te in his in­tro­duc­tion to Gra­mo­pho­ne, Film, Ty­pewri­ter. Alt­hough this dic­tum is cer­tain­ly ex­tre­me – and me­dia ar­chaeo­lo­gy has been cri­ti­qued for being over­ly dra­ma­tic and fo­cu­sed on tech­no­lo­gi­cal de­ve­lop­ments – it pro­pels us to keep thin­king about me­dia as set­ting the terms for which we live, so­cia­li­ze, com­mu­ni­ca­te, or­ga­ni­ze, do scho­lar­ship etc. Af­ter all, as Kitt­ler con­ti­nued in his opening state­ment al­most 30 ye­ars ago, our si­tua­ti­on, “in spi­te or be­cau­se” of me­dia, “de­ser­ves a de­scrip­ti­on.” What, then, are the terms of me­dia? And, what is the re­la­ti­ons­hip bet­ween the­se terms and de­ter­mi­na­ti­on?

This conference will serve as the concluding half of a two-part project, following an earlier conference at Leu­pha­na Uni­ver­si­ty in Lüne­burg, Ger­ma­ny, and will be followed by a se­ries of pu­bli­ca­ti­ons ba­sed on each which will seek to re­po­se and up­date these fun­da­men­tal ques­ti­ons of me­dia theo­ry: Does our si­tua­ti­on in­di­ca­te a new term, un­ders­tood as tem­po­ral shifts of me­dia­tic con­di­tio­n­ing, which de­ser­ves a re-de­scrip­ti­on? How and on what terms are me­dia chan­ging, re­flec­ting chan­ges in me­dia its­elf? What are the terms of con­di­ti­ons that we ne­go­tia­te as sub­jects of me­dia? How do the terms of me­dia theo­ry re­la­te to such con­di­ti­ons? What are the terms of con­di­ti­ons of me­dia theo­ry itself?

Thursday Keynotes to be held in the Martinos Auditorium, Granoff Center:
154 Angell Street
Providence, Rhode Island 02906 USA

Remaining talks to be held at Pembroke Hall:
172 Meeting Street
Providence, Rhode Island 02906 USA

Schedule is as follows:

Thursday, October 8, 2015
Conference Introduction, 7 p.m.
• Wendy Hui Kyong Chun, Professor and Chair, Department of Modern Culture and Media, Brown University
Keynote Address, 7:15 p.m.
• Marcell Mars, Public Library Project
• Rick Prelinger, Professor of Film and Digital Media and Board Member of the Internet Archive, University of California, Santa Cruz
Opening Reception, 9 p.m.

Friday, October 9, 2015
Session 1: Structure, 10 a.m. – 11:30 a.m.
• Lisa Parks, Professor of Film and Media, University of California, Santa Barbara
• Claus Pias, Professor for Media Theory and Media History, Institute of Culture and
Aesthetics of Digital Media, Leuphana
Session 2: Organize, 11:45 a.m. -1:15 p.m.
• Timon Beyes, Professor of Design, Innovation and Aesthetics, Copenhagen Business
• Reinhold Martin, Professor of Architecture, Planning and Preservation, Columbia
University in the City of New York
Lunch, 1:15 p.m. -2:30 p.m.
• Presenters and invited guests
Session 3: Remain, 2:30 p.m.-4:00 p.m.
• Jussi Parikka, Professor in Media & Design, University of Southampton
• Rebecca Schneider, Professor, Theatre Arts and Performance Studies, Brown University
Session 4: Work, 4:15 p.m.-5:45 p.m.
• Goetz Bachmann, Professor for Digital Cultures, Institute of Culture and Aesthetics of
Digital Media, Leuphana
• Lisa Nakamura, Professor, Departments of American Cultures and Screen Arts and
Cultures, University of Michigan
Conference Dinner, 7 p.m.
• Presenters and invited guests

Saturday, October 10, 2015
Session 1: Animate, 10 a.m. – 11:30 a.m.
• Gertrud Koch, Visiting Professor, Department of Modern Culture and Media, Brown University
• Bernard Stiegler, Head, Institut de recherche et d’innovation, Centre Georges Pompidou
Session 2: Communicate, 11:45 a.m. -1:15 p.m.
• Finn Brunton, Assistant Professor, Department of Media, Culture and Communication,
New York University
• Mercedes Bunz, Senior Lecturer, Communication and Media Research
Institute, University of Westminster
Lunch, 1:15 p.m. -2:30 p.m.
• Presenters and invited guests
Session 3: Forecast, 2:30 p.m.-4:00 p.m.
• Wolfgang Hagen, Professor, Institute of the Culture and Aesthetics of Digital Media,
Leuphana University
• Eyal Weizman, Professor of Spatial & Visual Cultures, Goldsmiths, University London
Session 4: Mediate, 4:15 p.m.-5:45 p.m.
• Kara Keeling, Associate Professor of Critical Studies and American Studies and Ethnicity, University of Southern California
• Luciana Parisi, Reader, Centre for Cultural Studies, Goldsmiths, University of London

Negotiating Affect in Media/Cultural Studies

July 14, 2015 1 comment

I came across this earlier review essay ” Negotiating Affect in Media/Cultural Studies” (PDF)  of Jodi Dean’s, Steven Shaviro’s and my own book (Insect Media) which might interest some people out there.

It was published in WSQ: Women Studies Quarterly 40 (1&2, Spring/Summer 2012).

Corporate University Life UK

August 26, 2013 1 comment

Times Higher Education has published a very good piece on the corporate university, UK. This does not refer to any particular university (despite this being a personal narrative of one person, opting to quit because “universities are killing off integrity, honesty and mutual support”) but the corporatization of the UK system.

What the piece does so well is showing the transversal links between macroeconomic policies and the microsociological everyday life at universities. The economic free market principles (which actually are not just about free markets, but to me about more meticulous wealth accumulation and political credit accumulation) are also felt in the various affective responses and moods that characterise university life.

Corporate capitalism works through a modulation of affects, and it does not feel particularly good. Read the piece to get one excellent insight to UK academia.

Interactive Art and Embodiment

nathaniel_sternNathaniel Stern’s book Interactive Art and Embodiment is out! If you want a one-liner what the book is about, this does the job effectively: “How do interactive artworks ask us to perform rigorous philosophies of the body?

It already reveals the maint thrust of the book, having to do with practices of contemporary digital art and theoretical insights into embodiment – for instance the concept of the implicit body.


Nathaniel Stern’s book is a marvellous introduction to the thinking and practice of this innovative new media artist, and to the work of others in the same field. Philosophically informed and beautifully written, it is sensitive to the many complex issues involved in making such work. –Charlie Gere is Professor of Media Theory and History in the Lancaster Institute for Contemporary Arts, Lancaster University, and author of Digital Culture, Art, Time and Technology, and Community without Community in Digital Culture.

In Nathaniel Stern’s Interactive Art and Embodiment, Stern develops a provocative and engaging study of how we might take interactive art beyond the question of ‘what technology can do’ to ask how the implicit body of performance is felt-thought through artistic process. What results is an important investigation of art as event (as opposed to art as object) that incites us to make transversal linkages between art and philosophy, inquiring into how practice itself is capable of generating fields of action, affect and occurrence that produce new bodies in motion. –Professor Erin Manning, Concordia Research Chair, Faculty of Fine Arts, Concordia University, author of Relationscapes: Movement, Art, Philosophy, Director of the SenseLab and series co-editor of Technologies of Lived Abstraction.

In his very intelligent book, Nathaniel Stern shows how dynamics work: he mobilizes a range of theory and practice approaches so as to entangle them into an investigation of interactive art. Stern maps the incipient activity and force of contemporary art practices in a way that importantly reminds us that digital culture is far from immaterial. Interactive Art and Embodiment creates situations for thought as action. –Dr Jussi Parikka, media theorist, Winchester School of Art, author of Insect Media.

Istanbul: Becoming People

June 2, 2013 2 comments

No smoke without fire, although with the tear gassed Istanbul, Ankara and numerous other cities, one should say: no smoke without tears.

While things are unfolding on the streets of Turkey, the international audience of the events are trying to figure out: what is going on. Who are the demonstrators? Hence, kicks in the usual suspects of repertoire of explanations: is this like Occupy Wall St.? Is this the Turkish version of Arab Spring? Are the demonstrators a vocal minority, and we are just misperceiving lots of social media traffic as a major event?

Perhaps the question itself should be differently posed. There are lots of great commentaries floating around, longer texts with already now some excellent contexts of the events. Some of it suggests in a rather good way that we need alternatives than just choosing one existing model of explanation.

Perhaps what is unfolding in front of the international community is what Turkish people already knew: a corrupted and authoritarian culture of politics and business where having firm relations with the ruling party AKP is a benefit for a variety of jobs and economic success for private sector companies (see here for some context);  lack of transparency in political decisions that however affect the majority of the people, such as the building of the third bridge or for instance in this Istanbul case, the demolition of Gezi park. The sentiment of dissatisfaction was there already in a way that was not just about secular vs. Islamists.

What is already being voiced is that “This is not about secularists versus Islamists, it’s about pluralism versus authoritarianism,” (quoted in The Economist).

Besides internally about Turkey, the events reveal a lot about the logic of capital: it benefits from authoritarian state measures and tight security controls. As for the case of Turkey, things are supposed to be fine on the economic front.

Interestingly, The Economist writes:

“Like most people, Turks tend to vote with their pockets. A decade of AK rule has brought unprecedented prosperity. Per-capita income has trebled, exports have increased nearly tenfold and Turkish banks are in good health”

But the problem is how much of this growth is exactly focused on the banks as main benefactors and how much of the consumption and investments is done only on credit money. If there is a major economic (read: construction business) bubble growing in Turkey and it bursts, things might very soon be very different – economically and politically. Even a lot of the middle class is actually still, despite university degrees and stable jobs, in a precarious situation.

In any case, the question  “Occupy or Tahrir” is actually: what is the specific case of Turkey? Besides revealing details of more global trends of how capitalism enjoys authoritarian regimes (see Zizek on this point) it demands the continuous question of what then is happening specifically in Turkey.

Discussing with my friends in Istanbul, one thing popped up when they narrate the events of the past days: even they, participating, just don’t know everything. They are not sure how things will develop, but they remain hopeful. There is  a sense of momentum and an affect that binds across groups, but also the question “who are we”, referring to the protestors, is an open one. Perhaps it is open for a good reason, summarised in one of the placards from Istanbul.

It refers to the various attempts by the prime minister to publicly discredit the demonstrators. But it also gives an affective response, one example of the various texts and visuals that express a strong positive sentiment.

We are not sure who we are, but we will be the people.

A people to come

A placard from Istanbul:

Day 1 we were the terrorists

Day 2 we were the provocateurs

Day 3 we were the protestors

Day 4 we became the people

Photograph by Baris Safran (via Jodi Dean).

Carnal Knowledge: Towards a New Materialism Through the Arts

November 30, 2012 Leave a comment

Some years ago, probably in 2008 or so, I remember pitching with another writer a book proposal to a publisher. It would have been a short introduction to “new materialism”, a theoretical wave that argued/s for there to be much more in the world than representations, signifying structures and ideologies — that non-human things exist, independently of us, and that for us to understand matter and embodiment, we need to see it as active, dynamic and stemming from the primacy of relations. Well, the proposal did not get too far. The other reviewer was more or less puzzled about the  whole existence of the term, writing that it was just invented for the purposes of the proposal and did not have currency outside in academic debates — in other words, new materialism does not exist (despite the proposal flagging that it is not only Manuel Delanda who had used the term but also Rosi Braidotti, with significant theoretical debates in material feminisms of for instance Grosz and Barad, and of course theoretical ideas since Lawrence Grossberg to the very different ideas of matter and the non-human by Latour and even Kittler!).

9781780762661.ashxOnly within months books with “new materialism” in their title, or with allusions to it, like Jane Bennett’s Vibrant Matter, started to come out and even more strongly identify a field and  a wave of interest. This theoretical discourse has been recently continued with publications such as New Materialism: Interviews & Cartographies. For me, it is important to really understand the multiplicity in debates concerning matter, the real and non-human — something that at times get understood very narrowly and in a very recent context, despite the longer roots of such ideas. Dolphjin and van der Tuin write nicely that “Our proposition is that new materialism is itself a distinctive trend, both in feminist theory and in cultural theory more broadly, and a device or tool for opening up theory formation.” (100)

Another book discussing new materialism – especially in art theory and practice – is now out. Edited by Barbara Bolt and Estelle Barrett Carnal Knowledge: Towads a New Materialism Through the Arts engages with a range of practices and artistic media, from painting to video, film to dance in order to elaborate new vocabularies of materiality. I have not seen the whole book yet, but I myself co-authored a piece on dance — on a fantastic choreography performed by himself, Tero Saarinen: a modulation of Stravinsky’s Rite of Spring, now called Hunt. The media artist Marita Liulia did the visuals. The piece is explosive. The angle of the text is on dynamics of movement, primacy of relations and biopolitics of dance.

copyright: Tero Saarinen company


November 27, 2012 1 comment

I am not the most qualified person to analyse the political economy and at times slightly exaggerated role of conferences; I do not really too often go to the big ones where the whole system of recruitment and other sort of social/affective work of academia happens. I am sure there are loads of management books on such topics and their importance. Not that I have anything against being social – just being a Finn you have to limit it a bit, not to get exhausted with the overwhelming number of people that would amount to the total number of a small Finnish village easily. However, at times events really strike a chord – like Code at the Swinburne University of Technology, Melbourne: a fantastic combination of academic quality and lovely people.

I am a firm believer in that the more interesting academic benefit of such events is not hearing someone speak, but that you are able to meet and talk outside the sessions; whether casual chattering or on the topic of the presentation. This is hardly a surprise. But it is not only the meet & greet networking silly management culture that we are persuaded to pursue, but actually having some affective pleasure from finding out that academics are not completely subsumed into corporate climb-the-ladder assholism.

Of course, talks can be really good in triggering ideas. What I mean by that is at least my own prespective that I have often trouble in immediately summarizing someone’s talk in its entirety, and instead I get nuggets, something that triggers an idea. In this sense as well, Code was a success.

The event was not focused down solely on software culture or critical code studies despite the frequent references to Chun, Galloway and Kittler – and some other usual suspects. I perceived something of an expanded notion of code in the sense that through the theme, a lot of presentations pointed to a broader context of materialities in which code takes place; logistics, management, intermedial relations, aesthetic, and non-computer placed coding of social actions/events like with the Human Fax Machine-experiment. Talks ranged from reddit to Ring(u), cars to Erica T. Carter, commandline to Google, and signal to Simondon. Code had already introduced its own approach to the idea even with a conference reading list!

Besides having the pleasure of listening to the fantastic keynotes by Anna Munster and Christian McCrea, for instance the plenary panel of Melissa Gregg, Ned Rossiter, Soenke Zehle and Mark Coté was the best one can hope for. Brilliant speakers all of whose I work admire a lot, and the topics were nicely resonating. For instance Gregg’s take on the Getting Things Done (GTD) software was something that illuminates what I tried to just briefly address in my own keynote on Cultural Techniques of Cognitive Capitalism (more on that later in a separate blog post): the entanglement of media, management, affect and modes of production in contemporary digital culture. Such practices, techniques and technologies frame the will for more time and freedom, as well as creativity, which ground notions such as cognitive capitalism, and in Gregg’s case she was able to show the deep layers of such ideas of “work smarter, not harder”. Exhaustion, tiredness and fatigue have not disappeared from the gendered worlds of management of office and post-office work. Such affect management and self control are excellent ways of articulating the curious emphasis on the cognitive and affective in relation to modes of production: they hover somewhere between of the tiring and energizing, of repetitive and creative. In this context, see also the Zooming Secretary game that Gregg started with — filing cabinets, telephones and coffee boosts; affective attunement.

It was also pleasure to hear Coté talk of his book project on Data Motility which is one of those great moments when we get someone with a fantastic knowledge of Italian political theory and current media theory talking about a topic of Digital Humanities. DH at times “forgets” the existence of media theory, as well as the longer history of humanities-technology partnering, but at the same time of course we need to be ready to update our theoretical perspectives in relation to new modes of quantities, qualities, and abstractions.

Coté ‘s book promises to be really exciting, offering an insight to data having a self-generated sense of movement as well as being the object of value creation: big social data is the sociality of the data for instance collected on social media, which highlights its polyvalence and social and economic valorisation. According to Coté big social data can be seen constituting a certain mode of humanness that humanities should tackle with. This sort of conditioning is the sort you get from the directions of Leroi-Gourhan and others. But it also points to the direction of debt, an interesting idea Coté suggests: what if we understand our relation with the data collected as one of debt, as analysed by for instance Lazzarato. Big social data in social media contexts is one of endless payments and demands of creating the social through actions, in order to justify our existence.

Both Rossiter and Zehle talked of logistics; Rossiter towards the worlds of media and management, transposition of labour to code & algorithms (which probably would resonate with some insights from Fuller & Goffey’s recent Evil Media) and Zehle in relation to gestures. Indeed, listening the two talks in the same panel made the audience aware of the multiscalar worlds of logistics – from human social affect and gestures, to the abstracted worlds of simulations and games in which management and logistics can be rehearsed.

Even if I mention only some of the papers here, throughout the conference I felt more inspired than in most of the events I visit. As said, this extends to the time outside the actual talks; people are engaged in several interesting projects, which made me actually, and without irony, feel rather ok about being an academic. And in that context, it was less painful to visit the other side of the world, Melbourne, and do two long haul flights within 10 days. I myself talked about some new things I am engaged in – a sort of a project pitch for something that might turn out to be a bigger project event – and gave a “master class” on Media Archaeology & Cultural Techniques.


Get every new post delivered to your Inbox.

Join 336 other followers